<?xml version="1.0" encoding="UTF-8"?>
<!DOCTYPE ArticleSet PUBLIC "-//NLM//DTD PubMed 2.7//EN" "https://dtd.nlm.nih.gov/ncbi/pubmed/in/PubMed.dtd">
<ArticleSet>
<Article>
<Journal>
				<PublisherName>Institute for Color Science and Technology (ICST)</PublisherName>
				<JournalTitle>Progress in Color, Colorants and Coatings</JournalTitle>
				<Issn>2008-2134</Issn>
				<Volume>19</Volume>
				<Issue>4</Issue>
				<PubDate PubStatus="epublish">
					<Year>2026</Year>
					<Month>10</Month>
					<Day>01</Day>
				</PubDate>
			</Journal>
<ArticleTitle>Multi-analytical Techniques for the Study of Historical Pigments in the Painted Ceilings of Sadr Jahromi’s House in Shiraz, Iran</ArticleTitle>
<VernacularTitle></VernacularTitle>
			<FirstPage>375</FirstPage>
			<LastPage>387</LastPage>
			<ELocationID EIdType="pii">82150</ELocationID>
			
<ELocationID EIdType="doi">10.30509/pccc.2025.167593.1418</ELocationID>
			
			<Language>EN</Language>
<AuthorList>
<Author>
					<FirstName>D.</FirstName>
					<LastName>Harandi</LastName>
<Affiliation>Department of Conservation and Archaeometry, Faculty of Applied Arts, Tabriz Islamic Art University, P.O. Box: 15385-4567, Tabriz, Iran</Affiliation>
<Identifier Source="ORCID">0000-0003-2455-7885</Identifier>

</Author>
<Author>
					<FirstName>M.</FirstName>
					<LastName>Yari</LastName>
<Affiliation>Department of Archaeology, University of Tehran, P.O. Box: 141761-4411, Tehran, Iran</Affiliation>

</Author>
</AuthorList>
				<PublicationType>Journal Article</PublicationType>
			<History>
				<PubDate PubStatus="received">
					<Year>2025</Year>
					<Month>07</Month>
					<Day>09</Day>
				</PubDate>
			</History>
		<Abstract>This study investigates the pigments and materials employed in the wooden ceiling paintings discovered beneath the mirrorwork decorations of Sadr Jahromi&#039;s house in Shiraz. Multi-analytical techniques, including Raman spectroscopy, scanning electron microscopy coupled with energy-dispersive X-ray spectroscopy (SEM-EDX), optical microscopy, and Fourier-transform infrared spectroscopy (FTIR), were utilized to characterize the pigments and varnish. The analysis identified natural ultramarine blue, red lead, copper-based green (likely malachite), lead chromate, and white lead, either individually or in mixtures, within the painter&#039;s palette. Shellac was also used as a protective varnish for the painting. Moreover, SEM-EDX analysis revealed the presence of gold leaf applied beneath the paint layers. The findings suggest that the pigments used in these artworks date no earlier than the 19th century, reflecting the technical sophistication and artistic practices characteristic of the Qajar period.</Abstract>
		<ObjectList>
			<Object Type="keyword">
			<Param Name="value">Pigment Identification</Param>
			</Object>
			<Object Type="keyword">
			<Param Name="value">Historical pigments</Param>
			</Object>
			<Object Type="keyword">
			<Param Name="value">Qajar period</Param>
			</Object>
			<Object Type="keyword">
			<Param Name="value">panel painting</Param>
			</Object>
			<Object Type="keyword">
			<Param Name="value">Raman spectroscopy</Param>
			</Object>
		</ObjectList>
<ArchiveCopySource DocType="pdf">https://pccc.icrc.ac.ir/article_82150_40b6b176ce40dc77896070d01507b6bc.pdf</ArchiveCopySource>
</Article>
</ArticleSet>
